{"id":4086,"date":"2022-08-12T08:57:42","date_gmt":"2022-08-12T08:57:42","guid":{"rendered":"https:\/\/artmagazine.pt\/?p=4086"},"modified":"2022-08-12T10:56:48","modified_gmt":"2022-08-12T10:56:48","slug":"artflix-tidelands","status":"publish","type":"post","link":"https:\/\/artmagazine.pt\/index.php\/2022\/08\/12\/artflix-tidelands\/","title":{"rendered":"ARTFlIX &#8211; Tidelands"},"content":{"rendered":"\n<p class=\"has-text-align-justify\">Nestas f\u00e9rias, \u00e9 poss\u00edvel que se encontrem um pouco mais desocupados do que o habitual, portanto resolvemos criar esta coluna, onde aconselharemos alguns filmes e s\u00e9ries para vosso entretenimento. <\/p>\n\n\n\n<p class=\"has-text-align-justify\">A primeira sugest\u00e3o que vos deixamos \u00e9 a s\u00e9rie australiana <em>Tidelands<\/em>, lan\u00e7ada em 2018 na Netflix. A s\u00e9rie foi criada e escrita por Stephen M. Irwin e Leigh McGrath e produzida pela Hoodlum Entertainment. <\/p>\n\n\n\n<p class=\"has-text-align-justify\"><em>Sinopse: <\/em>Depois de sair da pris\u00e3o, a jovem Cal McTeer regressa a Orphelin Bay, terra natal, e passa a investigar a morte misteriosa de um pescador e os estranhos habitantes, metade humanos, metade sereias, chamados &#8220;Tidelanders&#8221;. <\/p>\n\n\n\n<p class=\"has-text-align-justify\">Esta s\u00e9rie tem um elenco com personagens principais conhecidas como: Charlotte Best no papel de Cal McTeer, Elsa Pataky no papel de Adrielle Cuthbert, entre outros. <\/p>\n\n\n\n<p><em>G\u00e9nero: Fic\u00e7\u00e3o, Fantasia, Suspense<\/em><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Uma s\u00e9rie bastante viciante com uma narrativa bastante interessante para preencher as vossas horas vagas, esta \u00e9 apenas a nossa primeira sugest\u00e3o, outras ser\u00e3o publicadas brevemente. <\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img data-attachment-id=\"4088\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2022\/08\/12\/artflix-tidelands\/tidelands\/\" data-orig-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/08\/Tidelands.jpg?fit=290%2C431&amp;ssl=1\" data-orig-size=\"290,431\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tidelands\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/08\/Tidelands.jpg?fit=202%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/08\/Tidelands.jpg?fit=290%2C431&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"290\" height=\"431\" src=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/08\/Tidelands.jpg?resize=290%2C431&#038;ssl=1\" alt=\"\" class=\"wp-image-4088\" srcset=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/08\/Tidelands.jpg?w=290&amp;ssl=1 290w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/08\/Tidelands.jpg?resize=202%2C300&amp;ssl=1 202w\" sizes=\"(max-width: 290px) 100vw, 290px\" data-recalc-dims=\"1\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-right\">Escrito por Guilherme <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nestas f\u00e9rias, \u00e9 poss\u00edvel que se encontrem um pouco mais desocupados do que o habitual, portanto resolvemos criar esta coluna, onde aconselharemos alguns filmes e s\u00e9ries para vosso entretenimento. A primeira sugest\u00e3o que vos deixamos \u00e9 a s\u00e9rie australiana Tidelands, lan\u00e7ada em 2018 na Netflix. A s\u00e9rie foi criada e escrita por Stephen M. Irwin [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":4092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[22,41,42,98,1],"tags":[145,146,147],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/08\/DwEv3oGWwAISa4X.jpg?fit=1200%2C1146&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8Zpru-13U","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/4086"}],"collection":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/comments?post=4086"}],"version-history":[{"count":2,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/4086\/revisions"}],"predecessor-version":[{"id":4109,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/4086\/revisions\/4109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/media\/4092"}],"wp:attachment":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/media?parent=4086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/categories?post=4086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/tags?post=4086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}