{"id":3915,"date":"2022-02-28T22:56:14","date_gmt":"2022-02-28T22:56:14","guid":{"rendered":"https:\/\/artmagazine.pt\/?p=3915"},"modified":"2022-02-28T23:01:50","modified_gmt":"2022-02-28T23:01:50","slug":"movimentart-valeu-a-pena","status":"publish","type":"post","link":"https:\/\/artmagazine.pt\/index.php\/2022\/02\/28\/movimentart-valeu-a-pena\/","title":{"rendered":"Moviment&#8217;ART &#8211; Valeu a pena!"},"content":{"rendered":"\n<p class=\"has-text-align-justify\">Come\u00e7ou por ser uma tarefa dif\u00edcil executar este projeto vencedor do Pr\u00e9mio BPI Inf\u00e2ncia 2020. Com a pandemia o resultado final parecia estar longe. Foi preciso uma &#8220;dose&#8221; de resili\u00eancia, umas &#8220;pitadas&#8221; de criatividade e finalmente os nossos jovens podem beneficiar de um espa\u00e7o, em qualquer altura do ano (fa\u00e7a Sol ou Chuva &#8211; Muito Sol precisam nas suas vidas) que pretendeu resolver um Problema Social: Comportamentos de Risco associados ao Sedentarismo. Tentou-se contribuir para quebrar os padr\u00f5es de comportamento de risco atrav\u00e9s da aquisi\u00e7\u00e3o de novas compet\u00eancias psicomotoras e ado\u00e7\u00e3o de estilos de vida saud\u00e1veis e diminuir a resist\u00eancia ao tratamento em contexto de comunidade terap\u00eautica. <strong>OBRIGADO BPI e Funda\u00e7\u00e3o &#8220;La Caixa&#8221;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex\"><ul data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/artmagazine.pt\\\/index.php\\\/2022\\\/02\\\/28\\\/movimentart-valeu-a-pena\\\/\"}' class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img data-attachment-id=\"3922\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2022\/02\/28\/movimentart-valeu-a-pena\/sem-titulo-1-1\/\" data-orig-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/Sem-T\u00edtulo-1-1.png?fit=542%2C467&amp;ssl=1\" data-orig-size=\"542,467\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Sem-T\u00edtulo-1-1\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/Sem-T\u00edtulo-1-1.png?fit=300%2C258&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/Sem-T\u00edtulo-1-1.png?fit=542%2C467&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"542\" height=\"467\" src=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/Sem-T\u00edtulo-1-1.png?resize=542%2C467&#038;ssl=1\" alt=\"\" data-id=\"3922\" data-full-url=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/Sem-T\u00edtulo-1-1.png?fit=542%2C467&amp;ssl=1\" data-link=\"https:\/\/artmagazine.pt\/?attachment_id=3922\" class=\"wp-image-3922\" srcset=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/Sem-T\u00edtulo-1-1.png?w=542&amp;ssl=1 542w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/Sem-T\u00edtulo-1-1.png?resize=300%2C258&amp;ssl=1 300w\" sizes=\"(max-width: 542px) 100vw, 542px\" data-recalc-dims=\"1\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\">O ANTES<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-3 is-layout-flex\"><ul data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/artmagazine.pt\\\/index.php\\\/2022\\\/02\\\/28\\\/movimentart-valeu-a-pena\\\/\"}' class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img data-attachment-id=\"3916\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2022\/02\/28\/movimentart-valeu-a-pena\/whatsapp-image-2021-12-30-at-14-28-35\/\" data-orig-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?fit=1632%2C1224&amp;ssl=1\" data-orig-size=\"1632,1224\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"WhatsApp-Image-2021-12-30-at-14.28.35\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"1632\" height=\"1224\" src=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?fit=600%2C450&amp;ssl=1\" alt=\"\" data-id=\"3916\" data-full-url=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?fit=1632%2C1224&amp;ssl=1\" data-link=\"https:\/\/artmagazine.pt\/?attachment_id=3916\" class=\"wp-image-3916\" srcset=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?w=1632&amp;ssl=1 1632w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?resize=360%2C270&amp;ssl=1 360w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2021-12-30-at-14.28.35.jpeg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\">O DURANTE<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-5 is-layout-flex\"><ul data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/artmagazine.pt\\\/index.php\\\/2022\\\/02\\\/28\\\/movimentart-valeu-a-pena\\\/\"}' class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img data-attachment-id=\"3923\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2022\/02\/28\/movimentart-valeu-a-pena\/whatsapp-image-2022-02-28-at-12-26-50-1\/\" data-orig-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?fit=2048%2C1536&amp;ssl=1\" data-orig-size=\"2048,1536\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"WhatsApp-Image-2022-02-28-at-12.26.50-1\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"2048\" height=\"1536\" src=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?fit=600%2C450&amp;ssl=1\" alt=\"\" data-id=\"3923\" data-full-url=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?fit=2048%2C1536&amp;ssl=1\" data-link=\"https:\/\/artmagazine.pt\/?attachment_id=3923\" class=\"wp-image-3923\" srcset=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?w=2048&amp;ssl=1 2048w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?resize=360%2C270&amp;ssl=1 360w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?w=1200&amp;ssl=1 1200w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50-1.jpeg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-attachment-id=\"3924\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2022\/02\/28\/movimentart-valeu-a-pena\/whatsapp-image-2022-02-28-at-12-26-50\/\" data-orig-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.50.jpeg?fit=2000%2C1500&amp;ssl=1\" 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src=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?fit=600%2C450&amp;ssl=1\" alt=\"\" data-id=\"3928\" data-full-url=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?fit=2000%2C1500&amp;ssl=1\" data-link=\"https:\/\/artmagazine.pt\/?attachment_id=3928\" class=\"wp-image-3928\" srcset=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?w=2000&amp;ssl=1 2000w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?resize=360%2C270&amp;ssl=1 360w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?w=1200&amp;ssl=1 1200w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.56.jpeg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\">O DEPOIS<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Come\u00e7ou por ser uma tarefa dif\u00edcil executar este projeto vencedor do Pr\u00e9mio BPI Inf\u00e2ncia 2020. Com a pandemia o resultado final parecia estar longe. Foi preciso uma &#8220;dose&#8221; de resili\u00eancia, umas &#8220;pitadas&#8221; de criatividade e finalmente os nossos jovens podem beneficiar de um espa\u00e7o, em qualquer altura do ano (fa\u00e7a Sol ou Chuva &#8211; Muito [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":3927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[18,27,99,4],"tags":[48,28,30],"jetpack_featured_media_url":"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2022\/02\/WhatsApp-Image-2022-02-28-at-12.26.55.jpeg?fit=2048%2C1536&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8Zpru-119","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/3915"}],"collection":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/comments?post=3915"}],"version-history":[{"count":2,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/3915\/revisions"}],"predecessor-version":[{"id":3930,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/3915\/revisions\/3930"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/media\/3927"}],"wp:attachment":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/media?parent=3915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/categories?post=3915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/tags?post=3915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}