{"id":3577,"date":"2019-01-02T08:38:11","date_gmt":"2019-01-02T08:38:11","guid":{"rendered":"https:\/\/artmagazine.pt\/?p=3577"},"modified":"2019-08-20T22:01:38","modified_gmt":"2019-08-20T22:01:38","slug":"visita-a-aldeia-abela-santiago-do-cacem","status":"publish","type":"post","link":"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/","title":{"rendered":"Visita \u00e0 aldeia Abela &#8211; Santiago do Cac\u00e9m"},"content":{"rendered":"<p style=\"text-align: justify\">\u00a0As fam\u00edlias de Abela (Santiago do Cac\u00e9m) mostram os seus pres\u00e9pios nas ruas da localidade da Diocese de Beja, entre 09 de dezembro a 06 de janeiro.<\/p>\n<p style=\"text-align: justify\">Na sess\u00e3o da inaugura\u00e7\u00e3o (09 dezembro), depois da celebra\u00e7\u00e3o da Eucaristia, actuaram alguns artistas e as ruas encheram-se de m\u00fasicas de Natal, real\u00e7a uma nota enviada \u00e0 Ag\u00eancia ECCLESIA.<\/p>\n<p style=\"text-align: justify\">Esta iniciativa, organizada pela Par\u00f3quia de Nossa Senhora d\u00b4Abela (Catequese e Comiss\u00e3o fabriqueira), t\u00eam expostos mais de 100 pres\u00e9pios feitos pelas fam\u00edlias e, \u00e9 a quinta vez que se realiza.<\/p>\n<p style=\"text-align: justify\">Assim como noutros locais do Distrito de Beja, como M\u00e9rtola, Serpa e Beja, tamb\u00e9m tiveram pres\u00e9pios em exposi\u00e7\u00e3o para as pessoas visitarem os mesmos e as suas localidades.<\/p>\n<p style=\"text-align: justify\">Os jovens da Associa\u00e7\u00e3o de Respostas Terap\u00eauticas de Castro Verde puderam visitar estas exposi\u00e7\u00f5es e conhecer melhor\u00a0 um pouco da sua cultura.<\/p>\n<p><a href=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_155914\/\" rel=\"attachment wp-att-3578\"><img data-attachment-id=\"3578\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_155914\/\" data-orig-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?fit=2560%2C1920&amp;ssl=1\" data-orig-size=\"2560,1920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;VFD 510&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1546185554&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.6&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;0.0056818181818182&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_20181230_155914\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-3578\" src=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?resize=360%2C270&amp;ssl=1 360w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_155914.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_160159\/\" rel=\"attachment wp-att-3581\"><img data-attachment-id=\"3581\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_160159\/\" data-orig-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?fit=2560%2C1920&amp;ssl=1\" data-orig-size=\"2560,1920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;VFD 510&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1546185719&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.6&quot;,&quot;iso&quot;:&quot;233&quot;,&quot;shutter_speed&quot;:&quot;0.05&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_20181230_160159\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-3581 alignright\" src=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?resize=360%2C270&amp;ssl=1 360w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160159.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a> <a href=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_160642\/\" rel=\"attachment wp-att-3582\"><img data-attachment-id=\"3582\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_160642\/\" data-orig-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?fit=2560%2C1920&amp;ssl=1\" data-orig-size=\"2560,1920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;VFD 510&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1546186002&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.6&quot;,&quot;iso&quot;:&quot;54&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_20181230_160642\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-3582\" src=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?resize=360%2C270&amp;ssl=1 360w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160642.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a> <a href=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_160909\/\" rel=\"attachment wp-att-3583\"><img data-attachment-id=\"3583\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_160909\/\" data-orig-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?fit=2560%2C1920&amp;ssl=1\" data-orig-size=\"2560,1920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;VFD 510&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1546186149&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.6&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;0.0013333333333333&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_20181230_160909\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-3583\" src=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?resize=360%2C270&amp;ssl=1 360w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_160909.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a> <a href=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_161145\/\" rel=\"attachment wp-att-3584\"><img data-attachment-id=\"3584\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2019\/01\/02\/visita-a-aldeia-abela-santiago-do-cacem\/img_20181230_161145\/\" data-orig-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161145.jpg?fit=2560%2C1920&amp;ssl=1\" data-orig-size=\"2560,1920\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;VFD 510&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1546186305&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.6&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;0.00090497737556561&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_20181230_161145\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161145.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161145.jpg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-3584\" src=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161145.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161145.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161145.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161145.jpg?resize=1024%2C768&amp;ssl=1 1024w, 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data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;VFD 510&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1546186372&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.6&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;0.00075700227100681&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_20181230_161252\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161252.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161252.jpg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-3585\" src=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161252.jpg?resize=300%2C225&#038;ssl=1\" 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data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;VFD 510&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1546187523&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.6&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;0.0034246575342466&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_20181230_163203\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?fit=600%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-3594\" src=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?resize=360%2C270&amp;ssl=1 360w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i1.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_163203.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0As fam\u00edlias de Abela (Santiago do Cac\u00e9m) mostram os seus pres\u00e9pios nas ruas da localidade da Diocese de Beja, entre 09 de dezembro a 06 de janeiro. Na sess\u00e3o da inaugura\u00e7\u00e3o (09 dezembro), depois da celebra\u00e7\u00e3o da Eucaristia, actuaram alguns artistas e as ruas encheram-se de m\u00fasicas de Natal, real\u00e7a uma nota enviada \u00e0 Ag\u00eancia [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":3592,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[18,22,98],"tags":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/artmagazine.pt\/wp-content\/uploads\/2019\/01\/IMG_20181230_161921.jpg?fit=2560%2C1920&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8Zpru-VH","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/3577"}],"collection":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/comments?post=3577"}],"version-history":[{"count":3,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/3577\/revisions"}],"predecessor-version":[{"id":3597,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/3577\/revisions\/3597"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/media\/3592"}],"wp:attachment":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/media?parent=3577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/categories?post=3577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/tags?post=3577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}