{"id":2986,"date":"2018-02-05T19:17:05","date_gmt":"2018-02-05T19:17:05","guid":{"rendered":"https:\/\/artmagazine.pt\/?p=2986"},"modified":"2019-08-20T22:04:08","modified_gmt":"2019-08-20T22:04:08","slug":"criart-criar-recursos-para-a-inclusao","status":"publish","type":"post","link":"https:\/\/artmagazine.pt\/index.php\/2018\/02\/05\/criart-criar-recursos-para-a-inclusao\/","title":{"rendered":"CRIart &#8211; Criar Recursos Para a Inclus\u00e3o"},"content":{"rendered":"<p>No dia 1 de fevereiro de 2018, pelas 15h, na Escola da Pedra, em Alpendorada, ocorreu mais uma a\u00e7\u00e3o de forma\u00e7\u00e3o, no \u00e2mbito do projeto CRIart.<\/p>\n<p>Os jovens da banda de m\u00fasica PDA (Putos da ART) abriram a sess\u00e3o de forma\u00e7\u00e3o tocando o tema &#8220;Amar e proteger&#8221;, escrito pelos jovens Jos\u00e9 Carlos Fernandes e Jo\u00e3o Matos.<\/p>\n<p>De seguida, a Provedora da Santa Casa da Miseric\u00f3rdia, Dr\u00aa Am\u00e9lia Ferreira, dinamizou a a\u00e7\u00e3o de forma\u00e7\u00e3o sobre os efeitos e consequ\u00eancias do uso e abuso de drogas. Fazendo, ainda, refer\u00eancia \u00e0 forma como as depend\u00eancias surgem e se instalam nos contextos sociais.<\/p>\n<p>A forma\u00e7\u00e3o foi encerrada com a repeti\u00e7\u00e3o do tema &#8220;Amar e proteger&#8221;, que foi muito elogiado pela parte dos formandos.<\/p>\n<p>Rep\u00f3rter\u00a0<img data-attachment-id=\"2989\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2018\/02\/05\/criart-criar-recursos-para-a-inclusao\/img_5868\/\" data-orig-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?fit=5184%2C3456&amp;ssl=1\" data-orig-size=\"5184,3456\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 1200D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1517508470&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"IMG_5868\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?fit=600%2C400&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-2989 alignright\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;font-size: 16px\" src=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?resize=300%2C200&#038;ssl=1\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/>: Ivan Gaspar<br \/>\n<img data-attachment-id=\"2988\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2018\/02\/05\/criart-criar-recursos-para-a-inclusao\/img_5865\/\" data-orig-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?fit=5184%2C3456&amp;ssl=1\" data-orig-size=\"5184,3456\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 1200D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1517507879&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;20&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"IMG_5865\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?fit=600%2C400&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-2988 alignright\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;font-size: 16px\" src=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?resize=300%2C200&#038;ssl=1\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5865.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/p>\n<p><img data-attachment-id=\"2987\" data-permalink=\"https:\/\/artmagazine.pt\/index.php\/2018\/02\/05\/criart-criar-recursos-para-a-inclusao\/img_5859\/\" data-orig-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?fit=5184%2C3456&amp;ssl=1\" data-orig-size=\"5184,3456\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 1200D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1517504099&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"IMG_5859\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?fit=600%2C400&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-2987 alignright\" style=\"font-family: Lato, sans-serif;font-size: 15px\" src=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?resize=300%2C200&#038;ssl=1\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5859.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>No dia 1 de fevereiro de 2018, pelas 15h, na Escola da Pedra, em Alpendorada, ocorreu mais uma a\u00e7\u00e3o de forma\u00e7\u00e3o, no \u00e2mbito do projeto CRIart. Os jovens da banda de m\u00fasica PDA (Putos da ART) abriram a sess\u00e3o de forma\u00e7\u00e3o tocando o tema &#8220;Amar e proteger&#8221;, escrito pelos jovens Jos\u00e9 Carlos Fernandes e Jo\u00e3o [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":2989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":""},"categories":[18,38,7,17,100,4],"tags":[48,86,95,57],"jetpack_featured_media_url":"https:\/\/i2.wp.com\/artmagazine.pt\/wp-content\/uploads\/2018\/02\/IMG_5868.jpg?fit=5184%2C3456&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8Zpru-Ma","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/2986"}],"collection":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/comments?post=2986"}],"version-history":[{"count":5,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/2986\/revisions"}],"predecessor-version":[{"id":2994,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/posts\/2986\/revisions\/2994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/media\/2989"}],"wp:attachment":[{"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/media?parent=2986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/categories?post=2986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artmagazine.pt\/index.php\/wp-json\/wp\/v2\/tags?post=2986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}